The last time I posted here I was just about to leave for Kurdistan. Since then I have left a long silence. It's not because life has been dull. More, perhaps, that each day has been so packed, so intense, that i have not had the distance to reflect and write about it.
I am in New York as I write this, in fact in Brooklyn staying with a friend. For the next couple f days I will be seeing friends, attending the James Beard Cookbook and Journalism awards event (I'm on the cookbook committee) and attending a committee meeting. It's a privilege and a treat to come to NYC three times a year for the committee. We're a thoughtful bunch who try to do a good job of managing the judging process, all of which is done by independent judges living all over the US and Canada. The awards ceremony is where it all comes together...
But what have I been doing for the last month? The answer is that I have been in Iraqi Kurdistan, and for most of my time there being hosted and taken care of by the lively and generous members of a large extended family from Halabja. I had very little access to the internet, but that was not what kept me from posting, not really. It was instead the fact that I was entirely immersed in where I was, unable to distance myself enough to shape a post properly, and feeling oh-so-fortunate. I made lots of notes, about events, people, the food, the language (Sorani Kurdish), and more. That raw material, plus my photographs, are what I will rely on as I digest all that I've seen and learned, write stories, figure out recipes, etc, for my Persian World book. All that lies ahead.
Apart from memories, notes, and photos, I brought back some Kurdish rice, some spices, and also a box of "gazo", made at a shop in the Sulaymaniya bazaar. It's called "gaz" in Iran and is a special kind of nougat, chewy and not overly sweet, made of a resin exuded by insects onto the leaves of a plant that grows in the Zagros Mountains, plus egg white, sugar, pistachios, and a little rose water. A friend in Toronto loves gaz, so I asked her over to help open the box and have a taste. The box was nailed shut. When we got it open, it was filled with flour, the gazo packed in there, protected and kept fresh by the flour. You wash a piece, tear/pull it in half, since they are large, and then share and eat with pleasure.
Of course since I had bought the box new at the sweet shop (Tofiq Halawchy), sealed up and wrapped in plastic, I had had no idea that it was full of flour (I've since learned that this is the traditional way of storing it). This means that I had travelled back from Iraq via two days in Istanbul, through two sets of customs checks, with a box full of white powder... No harm done as it turns out, but perhaps a lesson: I should have asked to see what was in the box when I bought it, don't you think? There's a spy/thriller/mystery novel plot lying in wait here perhaps!
I cried when I parted from the family because I was going to miss them, their warmth and our connection. I still have Kurdish phrases echoing in my "mind's ear" and am looking forward to leaping into recipe work and writing, starting next Monday.
Meantime it's May Day, a day for celebrating working people internationally, and, if you are in France, for giving small bouquets of lily-of-the-valley (muguet) to friends. At this time of year, La Fete Des Muguets, the streets are lightly perfumed with the scent of the small posies that are sold on street corners to passers-by.
Perhaps the weather will warm up and the sun come out in Toronto and elsewhere. This spring Toronto is at least two weeks behind, with all plant life except the bravest crocus flowers holding off until Mother Nature confirms that warmth and sun can be relied on. The lilies of the valley that are usually a carpet of green by now in my front yard, with first buds of flowers showing on spindly little stems, have barely begun to surface from the cold earth. Yikes!
Happy May Day everyone...
Thursday, May 1, 2014
Tuesday, April 8, 2014
LEAVING FOR KURDISTAN WITH A SKILLET CAKE RECIPE TOO
I’m late posting this, and
I’m under the gun, because I leave in a few hours to catch a plane to Istanbul,
and then a connection on to Erbil, in (Iraqi) Kurdistan. I am so pleased to be
able to go. It’s part of the research for my Persian World book.
I had hoped to travel to
Azerbaijan for the book, leaving in late March, and then to go to Kurdistan.
But the Azeri visa application process just got more and more complicated. I
felt as if the embassy people were moving the goalposts, asking for more and more documents
from the friend (a generous-minded American woman who is working in Baku) who
had invited me. The Azeri visa process has been famously difficult for a long
time, the government being paranoid, they say.
But with current events, who can
blame them? Azerbaijan, like Georgia, is a small country which borders on
Russia. The events in Crimea were unfolding as I was applying for my visa…. And so I withdrew my
application (rather than risk having it refused).
It’s always good to
remember that we do not have the “right” to travel to other countries. It is a
privilege. And so I am feeling very privileged to be setting out on this trip. I am due to land in Erbil, and then I will
head to Sulaimaniya and Halabja. I don’t like racing around, so I
don’t expect I’ll get further north to Dohuk and the region near the Turkish
border. I’m just hoping to get a glimpse of home-cooking, and some glimmers of
understanding about Kurdish and Assyrian food traditions.
A good friend here in
Toronto spent time in Kurdistan two years ago and has passed along the names
and info of some of her contacts. She was talking to women about their lives… I am grateful to have my passage eased.
And a friend of hers who lives here, who is Kurdish, has also connected me with
a couple of people, including his mother and sisters. I can’t wait!
Meantime, after a long
delay, spring has truly sprung today, just as I am leaving. On Sunday too it was
sunny and mild. A bunch of us who do shape-note singing got together to sing
out of the Northern Harmony book. We were at my place, with the back doors open
and the sun streaming in, just glorious.
I had a little food for
singers to snack on, including bread from Woodlot, hummous from Evelyn’s
Crackers, cheese from Cheese Magic and some pate from Sanagan’s. But I’d also
put a little effort of my own into the food: I’d made skillet cake, a medium
and a small one, using my usual somewhat casual approach. But the cake has
evolved, as all recipes tend to do. I now use all whole wheat flour: Red Fife
with a little La Milanaise whole wheat pastry flour, and my toppings in this
season of little fruit are usally frozen cranberries, or other frozen berries
(raspberries and/or blueberries).
Because some of the singers
asked for the recipe, I’m putting recipe notes here, so everyone can have
access:
You’ll want to have two
bowls for mixing, and a ten- or eleven- inch cast-iron or other heavy skillet,
or two smaller ones (I use an 8 and a 6) or you can use a cakepan that gives
about the same area – about 80 square inches.
Preheat the oven to 400 F.
And heat the skillet on the
stove-top, add oil and spread it well. Remove from heat. Make sure your butter
is at room temp.
The proportions are simple:
In one bowl put 1 ½ cups
whole wheat red fife flour, and ½ cup whole wheat pastry flour; or all Red
Fife; or use all-purpose and pastry flour 50-50, as you please. Add 1 teaspoon
baking powder and ½ teaspoon baking soda, and a ¼ teaspoon salt.
Spices I use are cinnamon,
cloves, dried ginger… you could try a little nutmeg…
In the other bowl cream ¼
pound butter and 1 cup (I use brown) sugar, and then add 1 cup full fat plain
yogurt. Add ½ teaspoon good vanilla if you wish. Whisk 4 eggs briefly and add
them and mix well, then add the wets to the dries.
Stir just enough to mix
them so that the flour is all wet.
Pour the heavy gloopy
batter into the ready skillet(s)
Sprinkle on cranberries or
other frozen fruit, or sliced apple or whatever pleases you. I sprinkle on a
little extra sugar if using cranberries.
Bake at 400 (in the middle
of the oven) for 15 minutes then lower heat to 385 until done (a skewer comes
out clean), about another 30 minutes.
Let stand for five minutes
to let the starches firm up, then turn onto a plate, (fruit side will be down)
then place another plate on the under side and flip it back so it’s fruit side
up.
Cake is better the day
after it’s baked, but usually no-one waits around to test that assertion!
I hope this becomes an easy-to-remember
staple in your house, just as it is in mine.
Labels:
Assyrian,
Erbil,
food traditions,
Iraq,
Kurdish,
Kurdistan,
Persian World,
Red Fife,
skillet cake,
visa,
whole wheat
Saturday, March 29, 2014
STAYING CONNECTED THROUGH TIME AND SPACE
Here we are at the last
weekend in March, with the equinox behind us, and yet it’s still chilly. At
least I am now bicycling again. I took it out this morning to ride to Wychwood
Market in a cold wind. It’s been four months since my old red Diamond Back bicycle,
the one I rode from Kashgar over the Khujerab pass and down the Hunza Valley to Gilgit in
1986, has been out on the road. It could do with a cleaning and a tune-up
(scheduled for next week), and this morning the back tire needed air, but
everything else is fine. Not bad for a bicycle that’s getting on for thirty
years old.
I’m very attached to my
bicycle. It’s got scraped-off paint here and there, from being hauled on trucks
and busses etc while it traveled with me in Tibet and Xinjiang and Pakistan and
Nepal, and also from being locked to bits of railing around town in the years
since. So it’s not a thing of beauty. And it’s also very old-style of course:
no suspension (no-one was doing that in the early mountain bike era), and the
gears are not synchro-mesh. I think braking systems have also improved in the
intervening years, so the brakes too are very retro, and probably less
effective than they could be.
When I dropped by last
week on foot to Urbane Cyclist, not far from where I live, to make an
appointment for a post-winter tune-up, the person in the repair shop, hearing
that my bike was old, suggested that rather than getting a major tune-up, which
can run to $200 plus, I might want to consider buying a new bike. I didn’t have
my bike with me; she said I should come by with it and get a sense from them
about whether it was worth maintaining.
Of course I was a little
shocked. Abandon my bicycle? Just because it’s old and a little out-moded?
It’s true that in Chiang
Mai I have a more modern bike, white and black, a Giant brand (made in China)
which I bought in the fall of 2012. It’s got suspension and synchro-mesh
gearing, it’s comfortable, and a pleasure to ride. When I first ride it after
arriving in Chiang Mai, each time I am struck by how sleek and easy it is, how
user-friendly compared to my old red Diamond Back. I feel guilty, sort of
disloyal, for even thinking this way.
The suggestion that I move
to a newer model here in Toronto is a reasonable one, on its face. But I don’t
intend to do it. Why leave behind all that history when the bicycle is
perfectly functional? I don’t care that it could be more comfortable or easy or
whatever. I’m not interesting in optimising my “stuff”. I live in a house that
is draughty and imperfect, a house that I keep repaired more or less, but that
I don’t abandon for newer more “practical” lodging. It’s the same with
clothing: I hang onto certain coats and jackets and other garments that I’ve
had for ages. They get worn now and then, but even when they just hang in the
closet the sight of them reminds me of places and people and stories, and
enriches me.
It’s the same way with
friends. I don’t like to lose people, to let them slide away, though it does
happen. I like to keep the fabric of things knitted together if possible. The
bicycle is part of that effort, a conscious preserving and keeping alive of a
now long-past time in my life. And by using the bike and keeping it integrated
into my current patterns of travel and connection, I keep a long thread going,
a thread that began ages ago.
The interesting thing for
me is to see how threads of place and people and idea come and go in
importance. For example, when I get on my bike, or just see it sitting in the
front hall waiting to be taken for an airing, I flash on central Asia, stacks
of flatbreads, dry air, the scent of smoke, and more. It’s a long time since I
was last in Xinjiang, but these days, as I immerse in my Persian World project,
central Asia is again on my mind a lot. The bicycle gives me a little Proustian kick back to central Asia, so that my time there doesn't feel as remote. That perhaps explains why, when I was in the rolling grasslands near Mashad last October, the landscape was immediately familiar, and so was the feeling of exhilaration at being back in a central Asian environment.
The memories and ties from
the past, be they an old piece of clothing, a longstanding friendship, a
scarred bicycle, are precious connections, cross-ties to the warp and weft of
our lives. It seems to me that as we race around, in physical ways, or just
mentally and imaginatively through the miracle of internet access, we are in
extra need of grounding. I want to not lose track of who I am, and that means
staying in touch with a sense of who and where I have been as I traveled to
this point.
And so when I take my bike
in to Urbane Cycle, I don't imagine I'll be looking longingly at shiny new bicycles. The new
and perfect is highly over-rated, don’t you think? I'm sure that I don’t want
a newborn bike, with no history, no associations, no resonance. I want to go on
riding the memory-laden red bicycle I’ve
lived with for so long, with all its imperfections.
Labels:
bicycle,
central Asia,
cycling,
loss,
memory,
old and new,
Proust,
time
Thursday, March 20, 2014
SPRING CLEANING AT PERSIAN NEW YEAR
Here it is at last, the day
we reach the spring equinox. Unlike time zones, this is one marker that the
whole world transits at the same moment in some kind of “let’s all hold hands
and…” way. Here in Toronto that moment will be just before one o’clock this
afternoon.
We notice it’s spring, in Europe
and North America, and we rejoice at the return of the light and the promise of
fine weather. But we don’t have a big festival. I’m sure the Celts had druidic
festivals, and other northern peoples must have too. After all, the timing of Christian
Easter is reminder of our need for new life and the greening that spring
brings.
In other parts of the world
this is the start of the new year, a time for celebration. The festival Nou-Roz,
also known in the west as Persian New Year, is a reminder of the deep
inheritance that Zoroastrianism left in the Persian World, the region centred
on present-day Iran but that includes neighbouring countries and peoples too. The
religion arose around the same time as Buddhism, over 2500 years ago (an
interesting sychronicity). It was the first monotheistic religion that we know
of, pre-dating Judaism, Christianity, and Islam. The sun and the natural
world’s rhythms are embedded in the religion’s view of the battle between light
and dark, good and evil. Thus the return of the sun, marking the end of cold
winter, and the return of the light, is cause for celebration.
The peoples who are still
marked by Zoroastrian practices and beliefs, even if most of them are now Christian
or Muslim, are those from the region that extends from Iran and Azerbaijan into
Iraqi Kurdistan, east to Uzbekistan and Afghanistan, and to Shia communities in
Pakistan and India. (There are still Zoroastrians in Iran and area, and of
course the Parsi community, that left Persia and settled in India long ago, follows
the teachings of Zoroaster.) No-Roz festivities last abut two weeks. There is
feasting, there are green herbs and vegetables and sprouted lentils and wheat as
a symbol of new growth (and green is a privileged colour in Zoroastrian rites),
picnics on the grass, and more.
This new year talk as I
work on my Persian World book gets me examining some basics, a kind of mental
spring cleaning you might say: What am I doing each day? How am I doing it?
Could I do better? The answer to the last question is always “yes”. But that
leads to the next question: “how?”.
I’ve come to think that one
of the best things about this life of freelance work – the fact that I have a
flexible schedule – is also one of the most onerous. It means that I have to
take responsibility for deciding which jobs get done first, which tasks in the
day, the week, the year, are most urgent or important. If there’s a mess-up,
it’s my fault. And sometimes I spend too much effort hesitating about what to
do next.
I am inclined to just move
forward into the array of to-do’s, moving from one to the next (post another
blogpiece here, return that call or reply to those emails, do more background
reading for my book project, sort through photos to send some out, write that
magazine article, test those recipes, tidy the office, do taxes…you get the
idea).
But now we read that
decision-making takes up more energy than most of us realise. Even
decision-making about small things. Long ago I had a friend who decided to
avoid decision-making about what to wear: all his socks were one colour, his
shirts were white, and his pants were jeans. It took the pressure off and
simplified his day. It turns out to have been a smart move, taking away one
layer of decision-making, however superficial.
I’ve always enjoyed the
feeling that I’m improvising things: the shape of my day, what I will wear, the
shape of a trip… I don’t like to feel heavily planned. But that also means that
I’ve been in flight from the predictable, the known-ahead, the set list of
fixed tasks or obligations. It’ s a rather reactive way to live: rather than
taking charge and deciding ahead what I will do in a day, I react to events, to
feelings and impulses in myself, and bumble my way along. It can work very well
sometimes, and is just fine most days. But with new research about the mental
drain that decision-making causes, even the most superficial decision-making, I
think it’s time I smartened up.
Wouldn’t it be better to
have a list and just work through it? I do think so. And slowly I am learning
to make a list the night before, as guidance for the next day or several days. (The
evening is a good time, because it gives some distance; there’s no pressure to
get started right away, just a relatively calm contemplation of the coming day
or week). I find if I do that I waste less time (and mental energy, even more
importantly) thinking about what to do next or worrying about what else I
should get done on a given morning.
This may all be completely obvious
to everyone else, but it’s taken me a long time to realise it. Some of us are
slow!
CEO’s or high-level
politicians usually have a long tightly scheduled list of activities and
obligations each day. They don’t waste time figuring out what comes next;
someone else, perhaps in consultation with them, and well ahead, has already
done the work.
If I treat myself as a CEO,
and each evening give myself the benefit of setting out the shape of the next
day’s tasks and projects, then surely I too can have more energy for real and
important decision-making, and for creative work too. It doesn’t have to be
scheduled, let alone tightly scheduled, but an ordered list, with some idea of
where the start-point is, is in the end very restful.
The other thing to
schedule, of course, is enforced breaks from noodling around online. I’ve
written about this before. And I am doing increasingly well at retreating from
temptation, giving myself chunks of work time without online distraction.
Margaret Atwood posted on Twitter the other day that she was retreating to her
“burrow” I think was the word, to get work done. Clever woman! It is so
important to have an image, if not an actual space, that conveys that sense of
retreat from the distracting wonderful world. And that’s the word I like for
the sense of withdrawal: “retreat”.
Once I’ve posted this, I’ll
retreat to my work oasis…
Saturday, March 8, 2014
CONSIDERING WOMEN IN THE WORLD
I have always hated
vacuuming, ever since I was a kid, when it would fall to me occasionally to
haul the Electrolux (a sausage shaped model from before the second war that my
mother had inherited from her mother-in-law) around the living room. “But what
is the point?” I remember saying
fiercely to my mother once, when she’d discovered the less than wonderful job
I’d done of vacuuming the carpet. “It just has to be done all over again in a
week. So why bother?”
Why indeed. But we need to
keep dirt and pests at bay, it’s a fact of living in houses, apartments, caves,
any kind of fixed dwelling. And so we sweep and dust and mop and wash, and some
of us vacuum.
Rather than growing out of
my old attitudes, I have continued to dread the thought of having to vacuum. My
mother’s hand-me-down Electrolux seems a miracle of efficient sensible engineering
compared to the vacuums I have come across subsequently, which were either
heavy and awkward, or lightweight, breakable ones which failed to suck up
anything.
And so for some years now I
have not vacuumed at all. I have limped along, with a not very clean house,
relying on mopping, sweeping, and dusting. No, I don’t have anyone come in to
clean; I take a stab at it intermittently and encourage my housemates (my grown
kids) to tackle cleaning chores occasionally too.
But recently there’s been a
revolution: a dear friend and I have bought a vacuum, to share, and it’s a
miracle of good design and ease. I thought I’d never seee the day, but I have
to admit that, while I don’t love vacuuming, I now take it on without dread,
and with a certain satisfaction at the vanishing of the dust and dirt.
It makes me wonder about
how many other things could be made easier or more enjoyable, with an
improvement of design. I’ve already discovered the delights of a well-designed
stove (two years ago, another revelation), but this vacuum thing is even more
astonishing to me. I’m now casting my eyes and mind around to think about what
other tools and daily tasks need reconfiguring. There’s wiring - cords and plugs
etc - which is always a hassle, getting tangled and needing more sockets than
many rooms provide. And then there’s lighting: the new fluorescents work fine,
but the design of the individual lights, table and floor lamps in particular,
is still aggravating, either inadequate or glaring or ugly, or a combination of
all those.
Do I sound like a grump? I
don’t mean to, in fact this list is coming out of my delighted realisation that
with effort and imagination, small things can be improved in a way that makes a
big difference.
All these domestic
complaints and musings of mine are nothing of course, I mean they are “first
world problems”, compared to the difficulties that face women who live in
refugee camps in Syria or in Central African Republic or on the borders of Burma
or many other places. They need to haul water, haul firewood, try to find a way
to wash clothing, feed their children, and also keep a sense of dignity and
order. They sweep and wash and cook and worry. A machine to do the work is the
furthest thing from their minds.
So why do these mundane
chores oppress those of us who live in comfort rather than out on the street or
in a fragile temporary camp somewhere? What right have we to complain?
The fact is that most
humans have in their minds an expectation of what the day will bring and what
they are “owed” in a day. It’s the gap between those expectations and the
reality that sets us up to grumble and feel hard-done-by. We don’t live with an
absolute scale in our daily lives, at least most of us don’t. We don’t remember
to think about the people who live in impossibly difficult and dangerous
situations. Most of us are attached in our imaginations merely to our own expectations;
they give us confidence and a kind of road map of who and where we are.
To let ourselves imagine a
totally other possible life, one full of hardship and risk, is too frightening,
too demanding, for most of us.
And so on March 8, the day
that the international world has decided to set aside as International Women’s
Day, let’s take a chunk of time to consider the lives of other women and to
give them the respect that their valiantness and their persistence deserve.
Where we’re born and what catastrophes we find ourselves in are both mostly out
of our control. So the fact that you who are reading this are mostly NOT at
immediate risk of attack or starvation or other extreme forms of violence
(though I agree that any of us may, and many do, encounter anti-woman violence
in words and deeds at any time, in any situation) is in many ways a matter of
luck.
I don’t think I deserve my
luck. If I thought I did it would mean that women born into pain and suffering
deserve that, and I cannot accept that anyone deserves that birthright.
And so let’s be grateful
for what we have, and spend some reflection time considering the lives of
others and giving them help where we can, and respect always.
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