Spring-cleaning is a word
that I've been reflecting on recently.
The “spring” in spring-cleaning
starts out as a reference to the season that follows winter with its fusty
enclosedness (at least in these cold latitudes). But of course it also says
liveliness, springing-up-ness, movement in general: “a spring in her step”, “he
springs up”. Then there’s the cleaning part of spring-cleaning. It comes with
the image of clearing and airing out of cupboards and the putting-away of
winter clothes and retrieving of warmer-weather garb.
But the most interesting
aspect of the word spring-cleaning is the way it is loaded with metaphorical
possibilities. That’s where my thoughts have been tending this week. I’ve been
strongly reminded that a spring-cleaning of our attitudes or thought-patterns
can give new energy and move us out of the sterile winter of old patterns and
into new life.
It’s suddenly the end of
May and at last, just in the last few days, I feel truly lighter. Superficial
reasons include the fact that only this week did the weather in Toronto warm to
an intensity that felt like a foretaste of summer, inviting us to wear shorts
or light skirts and tank tops, with no protective overlayers. It’s been
wonderful to feel the soft air on my skin, and to be able to sit out in the
evening lightly dressed. And pedalling past trees loaded with airy fragrant
blossoms – lilac, apple, chestnut, and more – is one of the best pleasures of
spring, along with the sounds of the birds and the brilliant green of new life
in the garden and on the trees.
But the bigger springing
forward has come because I’ve now done my taxes: I’ve sorted through last
year’s paperwork, assembled, typed in, and added up the incoming and out-going
money flows, and handed the whole listing to wonderful Ian, who prepares my
return (and yes I am still in time, for people who are self-employed have a
filing deadline of June 15 here in Canada, whew!). The process of looking at
everything, being methodical about it, and just steadily working my way through
the stacks of receipts, bank statements, etc. has been remarkably calming. In
previous years I’ve felt anxious, worried that I’d mess up. I now realise that
those feelings of edginess also made me very inefficient, for they led me to
take irregular stabs at organising, in between periods of avoiding the job. This
year, by committing to being steady, I made the job tidier in every sense of
the term.
That methodical,
just-plod-through-it-until-it’s-done style seems to have carried over into
other aspects of daily and yearly maintenance: It’s the season for getting the
garden in order, and this year, instead of being very approximate and
inattentive, I have dug in manure and tidied up lost corners (no it’s not a big
garden, just a small enclosed back yard, but even so junky nooks and crannies
had managed to create themselves). The result is a cleaner lovelier space, yes,
and a happier me.
I think this is more than
the pleasure or relief of crossing off something on a to-do list. It is a changed
perspective, a new attitude to how to take on chores and obligations. It’s put
a spring in my step, this “cleaning” of my attitude.
I do wonder what has helped
lead me to this new place. Perhaps just time and growing wisdom? I’m persuaded
that it’s something more.
I think that often when we
change some small-seeming pattern of behaviour it can shift things more deeply,
change our perspective, and free us to move into a new “season”. One new and
different thing I’ve done recently is to take an art class (my first ever),
three hours of drawing class every Wednesday afternoon at the Art Gallery of
Ontario for five weeks in all. In four short weeks (only one class left to go,
alas) the instructor, Kelley Aitken, has led us to “see” in ways we hadn’t
before. She has insisted that rather than drawing lines, we work with lights
and darks. She’s taught us to see tone as the way in which we see contour.
We’ve learned to use tone (degrees of shading) as the best way to communicate three-dimensional
contour on a flat sheet of paper, using only pencils of various degrees of
softness.
Yesterday at the coffee
break I found myself looking at another of the students and seeing his face in
terms of lights and dark, areas of brightness and shadow, so that it broke down
into pieces or patches of different shades. It was as if Kelly had gradually
helped me grow another pair of eyes.
Because of making
photographs all this time, I have a fairly strong sense of geometry and line,
and an eye for light, but this way of seeing is entirely new, a matter of close
attentive observation, rather than preconception. The world around me has
become much more three-dimensional, in subtle as well as more obvious ways.
It is thrilling to discover
a new faculty and to see with different eyes. Travel often gives me a fresh
perspective. Often when I return home I am moved to shift things around,
reorganise the kitchen or whatever. But this fresh sight feels like a stronger
and more lasting change of perspective. And I feel that it’s leading to all
kinds of new patterns.
What a pleasure, to realise
that there are more windings in the path ahead, and to not know what lies
around the next corner.